Beauty (1989) boasted a tracklist that combined pop and traditional Japanese and Okinawan songs, yet featured guest appearances by Jill Jones, Brian Wilson, and Robbie Robertson. At times, Sakamoto would also present varying interpretations of technology's intersection with music: He would present some pieces, such as "Replica," with Kraftwerkian rigidity and order, while he would infuse humanity and humor into others - "Broadway Boogie Woogie," for example, liberally lifts samples from Ridley Scott's film Blade Runner and pairs them with a raucous, sax-driven techno-pop backdrop.Īs his solo career began to extend outside Japan in the late 1980s, Sakamoto's explorations, influences, and collaborators followed suit. Sakamoto would alternate between exploring a variety of musical styles, ideas, and genres - captured most notably in his groundbreaking 1983 album Illustrated Musical Encyclopedia - and focusing on a specific subject or theme, such as the Italian Futurism movement in Futurista (1986).
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While primarily focused on the piano and synthesizer, this series of albums boasted a roster of collaborators that included David Sylvian, David Byrne, Thomas Dolby, Nam June Paik, and Iggy Pop, among others. The album includes the songs "Thousand Knives" and "The End of Asia."įollowing the disbanding of Yellow Magic Orchestra, Sakamoto released a number of solo albums in the 1980s. Sakamoto released his first solo album, The Thousand Knives of Ryūichi Sakamoto, in 1978. with special emphasis on both electronic and ethnic music.Īfter working as a session musician, he formed the internationally successful synthpop trio Yellow Magic Orchestra, with Haruomi Hosono and Yukihiro Takahashi.
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Sakamoto attended the Tokyo National University of Fine Arts and Music, where he earned a B.A. 3.4 With Carsten Nicolai, as alva noto + ryuichi sakamotoīiography Early years and Yellow Magic Orchestra.
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1.1 Early years and Yellow Magic Orchestra.